“Artists are not here to destroy or to create. (…) Artists must not create objects, the world is full of everything it needs. (…) The job of an artist is not to destroy but to change the value of things.”
– Yoko Ono, What is the Relationship between the World and the Artist, 1971
The World Is Full of Everything It Needs is a workshop designed by karen elaine spencer in collaboration with the Fondation Phi’s Department of Education and Public Engagement. It is offered in conjunction with the exhibition Yoko Ono: LIBERTÉ CONQUÉRANTE/GROWING FREEDOM, which runs from April 25 to September 15, 2019.
During The World Is Full of Everything It Needs, each participant will be entrusted with a grapefruit, which will serve as a tool for collective writing exercises. Honouring a process of rapid-fire brainstorming reminiscent of Yoko Ono’s practice, participants will be asked to identify locations, actions, and objects. Some of these elements will then be inscribed onto the skin of the grapefruits with markers, allowing a playful exploration of various feelings and states of mind. The grapefruits will become, in essence, tangible instructions, scores or poems: surfaces on which possibilities might take flight.
The resulting scores from these grapefruit brainstorms can be written onto a postcard, photographed and posted on social media, or placed in the classified section of a newspaper. They can also remain ephemeral and not be documented in any manner. The possibility of making these instructions public through these various strategies echoes Yoko Ono’s questioning of the ways in which we come together.
Can you imagine what your score(s) might look like in the world? Can you imagine letting your words go out into the world so a stranger can take possession of them? Can you imagine what the world might become if all your scores could one day be realized? Can you imagine the world differently?
karen elaine spencer
born: year of the silverfish
early childhood: softly sang stories to crumpled-up tissues in the back seat of the family car
adolescence: ran away from home to study the fine art of forgetfulness
at present: creates workshops for artists she admires. infiltrates government offices, train stations, metros, and parks to transmit secret messages. she is a rambler, loiterer, metro rider, dream listener, onion peeler, and sitter. she paints, writes, points, and pirouettes.
Photo: Daniel Fiset and Tanha Gomes