Berlinde De Bruyckere came to international prominence in 2003 at the Venice Biennale where she exhibited The Black Horse – a monumental, abjectly deformed figure covered in glossy horse hide. Before the exposure in Venice, she exhibited five life-size casts of dead horses, In Flanders Fields, a poignant commentary on World War I at the In Flanders Fields Museum, Ypres (2000). She specialises in sculpture in various media including wax, wood, wool, horse skin and hair. Her nightmarish sculptural displacements, be they human or equine, speak of suffering and vulnerability, love and brutality. De Bruyckere’s painstakingly rendered wax and epoxy forms – mainly human but also animal and vegetal – dramatize the traumatic and painful scars of existence and the struggles of life and death. Her presentation at DHC/ART will consist of horse figures on scaffolding, a large vitrine and two wax figures.