For its 17th edition, titled Sensing Nature (Quand la nature ressent in French), MOMENTA Biennale de l’image humbly invites us to consider environmental justice and its intersections with social justice as a matter of sensing and feeling as much as of analysis and grassroots activism. Although science is urgently needed— not least to tackle the climate emergency—our planetary assembly of multiplicities also craves forms of knowing, feeling, and doing that create different arrangements of coexistence. A longing for togetherness—for love—echoes insistently in the exhibitions, inviting us to fathom other possible forms of worldmaking. The artists and authors invite us to forge intimate kinships with nonhuman life-worlds. They propose that we listen to—and observe, smell, touch, speak to—the land, the water, the air not with the aim of distantly understanding, grasping, or exploiting, but to resonate, to vibrate, to be together. Or, perhaps, with no aim at all. Their works and their writing make room for stories that dwell in the blurred boundaries between technology and ancestral wisdoms, weaving in both human and nonhuman modes of knowing. They celebrate that we are in relation with nature, that we are of nature.
At 451 Saint-Jean Street, the PHI Foundation for Contemporary Art presents solo exhibitions of Abbas Akhavan and Jamilah Sabur.
Abbas Akhavan: spill
In collaboration with the Musée d’art contemporain de Montréal
The Musée d’art contemporain de Montréal is very happy to be participating again this year in MOMENTA, by co-producing a new site-specific installation by Abbas Akhavan created for the spaces of the PHI Foundation. The MAC presented Fatiques in the Biennale de Montréal 2014, and acquired a number of the taxidermied animals from the installation (the Virginia deer, the red fox and the porcupine) for the collection. As is his wont, in spill, Akhavan has created a strange and disconcerting garden that integrates itself into the architecture of the space. This new work unfolds what could be a screensaver, a wallpaper, or an ideal of nature in harmony at a time when we couldn’t be further from it.
Jamilah Sabur: The Mountain Sings Underwater
For this work, artist Jamilah Sabur draws on the geological formation of the escarpment to connect the ocean floor and outer space, summoning localized intensities that expand beyond human notions of space and time.
This edition of the biennale is curated by Stefanie Hessler in collaboration with Camille Georgeson-Usher, Maude Johnson, and Himali Singh Soin.